Statement

In my creative practice, I develop a visual language that transforms fragments of the external environment into inner landscapes of memory and perception. Rather than representing reality, my work focuses on mapping subjective emotional states and culturally embedded traces rooted in space. Within this context, my body of work forms an archaeology of the present, in which visual fragments are collected, layered, and reconfigured into personal structures. These accumulated impressions generate a new, autonomous visual reality. My paintings are not literal maps, but mental constructions that reflect how space is experienced emotionally, historically, and psychologically, without reference to specific locations or narratives.

In an era of artificial intelligence, digital memory, and constant flow of information, when even what the human mind naturally forgets is preserved, I examine where memory truly resides and what happens to the traces of experience we retain or leave behind. My work addresses these questions by translating impressions and associations into abstract compositions that function as visual fields of memory.

Through this approach to painting, my practice follows the logic of collage and décollage—layering, revealing, erasing, and shifting forms guided by both intuition and structure. Fragments of urban space, architectural rhythms, and cultural traces come together to create a vision that balances between chaos and order, spontaneity and control.

Employing coded information in the titles of my works, I create signals that, once deciphered, point toward an invisible, spiritual structure that shapes our spatial experience of the world.

Inspired by Constructivism, Abstract Expressionism, Post-Painterly Abstraction, and Street Art, I develop a personal language of texture, form, line, and materiality. These elements serve as metaphors that inform perception, inviting the viewer to interpret emotional, spatial, or cognitive associations.

Each painting becomes a map of presence—a non-verbal reflection on how space is experienced and transformed. Through the process of making, I examine the invisible architectures of memory, the layered nature of perception, and the ongoing tension between the built environment and the inner world. Ultimately, the work is not concerned with representation, but with orientation, offering visual points of reference through which the fragmented landscapes of contemporary consciousness may be navigated.