Statement

My artistic practice explores psychogeography as a visual language, mapping the transition from the external chaos of the city to the internal landscapes of memory and perception. I approach art not as a depiction of reality, but as a subjective cartography of emotional states and cultural traces embedded in space. 

Psychogeography, in this context, becomes an archaeology of the present: a dérive through urban space, where visual fragments are gathered, layered, and reassembled into personal maps. These are not literal maps, but mental structures - reflections of how we inhabit space emotionally, historically, and psychologically.

In an era shaped by artificial memory clouds and digital overstimulation, I investigate where memory truly resides. What happens to the traces we leave behind and those we forget? My paintings respond to this question by transforming impressions and associations into abstract compositions that act as visual memory fields.

I work through the logic of collage and décollage, layering, revealing, disrupting, guided by both intuition and structure. Fragments of urban ruin, architectural rhythm, and cultural debris merge into a psychogeographic vision that oscillates between chaos and order, spontaneity and control.

In the titles of my works, I use encoded information that, when deciphered, serves as a signal to humanity, pointing to the presence of a spiritual design embedded within the world's psychogeographical landscape.

Influenced by New Subjective Painting, post-painterly abstraction, constructivism, street art, and neo-expressionism, I develop a language of forms, lines, textures, and multi-layered materiality. These elements serve as metaphors: they encode perception, inviting the viewer to decipher emotional, spatial, or cognitive associations.

Each painting becomes a map of presence, a non-verbal reflection on how space is experienced and reimagined. Through this process, I explore the invisible architectures of memory, the layered nature of perception, and the persistent tension between the built environment and the inner world.

Ultimately, my work is not about representation, but about orientation, offering visual clues for navigating the fragmented terrains of contemporary consciousness.